However, many musicians, music critics, and other non-philosophers have contributed to the aesthetics of music. ![]() In the 20th century, important contributions to the aesthetics of music were made by Peter Kivy, Jerrold Levinson, Roger Scruton, and Stephen Davies. The origin of this philosophic shift is sometimes attributed to Baumgarten in the 18th century, followed by Kant.Īesthetics is a sub-discipline of philosophy. In the eighteenth century, focus shifted to the experience of hearing music, and thus to questions about its beauty and human enjoyment ( plaisir and jouissance) of music. In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization. They may assess the tone of the orchestra, the tempos that the conductor chose for the symphony movements, the taste and judgement showed by the conductor in their creative choices, and even the selection of pieces which formed the concert program.Īesthetics of music ( / ɛ s ˈ θ ɛ t ɪ k s, iː s-, æ s-/) is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. ![]() The critic uses a range of aesthetic evaluation tools to write their review. Music critics listen to symphony orchestra concerts and write a review which assesses the conductor and orchestra's interpretation of the pieces they played.
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